Chapter 101: A Shadow from Abroad
1166words
Their lives are going in different directions now, and they become more cautious and protected. The way before, when they look at the world like it is all rosy and nice has switched to a clearer view where they understand its problems and risks much better.
Then, we received a call. A major international museum has chosen to host an exhibition exclusively for the artefacts from "Moonlight Lease". This museum has purchased many items and wants to display them in a manner that tells the story of these stolen treasures.
Eki and Dapo felt very surprised and grateful. This project could help people see the wrong use of African art, bringing back a piece of their cultural history. They see it as an opportunity for retelling; to share the story from the perspective of those who faced oppression.
The happy joy turned into a little fear. They knew well that this trip would not be simple. Managing with an international institution signifies handling difficult politics, bureaucracy, and cultural prejudices.
When they began their jobs, this task affected them deeply: The big responsibility on their shoulders. It was not just creating art; no, it aimed to talk about tough historical events too. Their work needed to be powerful, evoking feelings and provoking thought.
The man named Mr. Pierre Dubois was the curator. He had a big name in the art community because people knew him for being very smart but also somewhat proud. When he reached the museum, there was much lovely commotion from all.
Dubois seemed like he already had some ideas about African art before he entered their studio. He believed it was primitive, exotic, and not very sophisticated. His remarks on their work were somewhat unkindly phrased.
"I admit, you have some talent," he said with a proud tone. "But I must think bigger; this place for all the world."
Eki and Dapo looked at each other with irritation. They did not like the idea of this man taking over their plan.
"Our art is part of our culture," Eki said softly. "Size does not matter, whether it is big or small. What matters is that it's genuine."
Dubois smirked. "Authenticity is one thing, but commercial viability is another," he retorted.
Dapo couldn't hold back anymore. "Commercial viability?" he answered, his voice full with sarcasm. "Oh yes, and what about making money from our ancestors' art?" The commercial possibility to earn from a complete culture misuse?"
Dubois looked surprised, not expecting such a strong reaction. His face turned red with anger. "This is a museum room, not someplace for political speaking," he snapped.
Eki kept speaking, her voice calm but strong. "Our art is politics," she said. "It talks about us, our hard times and happy moments. If you do not see this, then you miss the main idea of what we are doing."
Dubois scoffed. "You're being overly dramatic," he dismissed. "This is about art, not politics."
"Our art is our politics," Dapo retorted.
The room felt with much tension, showing Dubois not wanting to give up. Eki and Dapo knew a big fight was coming soon. Their fight was not just about art; it also represented the effort to make African talent recognized globally.
From days it turned into weeks, and the tension among Eki, Dapo, and Dubois grew much stronger. It transformed into a battle of words and determination - a competition for capturing the essence of this exhibition. Eki and Dapo felt very certain that their view should be expressed; they wanted the true story behind Moonlight Lease's items to be shared honestly.
But Dubois did not want to lose control. He sees the exhibition as a chance to show his skill in organizing art, not just space for political messages.
It was a very exciting time because the exhibition started looking near. Eki and Dapo felt very tired but remained determined. They knew all people's eyes would be watching them, so they must say something important.
On the first night, when everyone was talking and watching the show, Eki and Dapo chose a spot in one corner for themselves. They watched how guests reacted to Moonlight Lease by looking at their faces. Some people had surprised expressions on their faces, while others looked bored or did not understand what the items meant from a historical point of view (Eccleston, 2021).
That is when they understand it's the moment to begin working. To educate, motivate, and start conversations during the exhibition is just the initial stage. They have a responsibility to use their position to create lasting impacts.
While I stood thinking about what to do next, a nearby group of people spoke softly. They pointed at one particular object with faces full of curiosity and interest.
"What is it?" Dapo whispered, his voice filled with anticipation.
Eki shook her head, many thoughts rushing through her mind. This place was not like any other they had seen before. It is big artwork, with abstract sections and mainly dark colors that bring powerful emotions. But still, there was hidden energy, the feeling of rebellion that they felt connected to.
When they came closer, they saw small details, symbols and patterns. They thought these things in the display wanted to say something important but what it meant stayed unknown to them.
"This is incredible," Eki murmured, her voice filled with awe.
At that exact moment when they were ready to explore further, a group of people began making noises. They pointed behind them, and both Eki and Dapo turned around quickly with their hearts beating faster.
There was a shadow at the door. It seemed like a tall and strong person, with a face hidden in darkness. But you could see their eyes - they were sharp enough to slice through the darkness.
Eki and Dapo experienced deep fear in their hearts when they saw the eyes that had caused them so much suffering.
A hand raised, like telling everyone to pay attention. The people listening became silent and their eyes focused on this unexpected guest.
"This is mine," the figure spoke, their voice echoing around. "I have made everything."
Eki and Dapo looked at each other, both feeling very surprised. Their thoughts were moving quickly, trying to figure out how someone else could have something they had spent their whole lives working on.
The person continued speaking with a voice full of dislike, saying "You have taken my ideas, my dreams. Now you must pay."
The cold words were the last thing the figure said before it turned and disappeared into the night, leaving Eki and Dapo very shocked. Everything they knew was now different forever.
